Muddled Talk about Class

January 14, 2009

… in which they pretty much all get it wrong.

No class bias in the media?  Huh?

Posted from Diigo. The rest of my favorite links are here.

Posted from Diigo. The rest of my favorite links are here.

I wrote last week about Scott McLeod’s post on Dangerously Irrelevant about the large number of districts hiring Ruby Payne to speak to issues of childhood poverty in spite of how little evidence there is for most of her claims.

There was a lively discussion in the comments on Scott’s post, and Alice Mercer, one of the women chiming in there, has continued the conversation on the In Practice blog with the first of what she promises will be a series of posts  on “Why not ‘cure’ poverty instead”.

The conversation threatens to degenerate into camps of “theorists/ practitioners”, as if those lines are completely clean.

But perhaps, in these ongoing discussions,  there’s the chance to move beyond the unfortunate assumption in too much of this discussion that people who critique Payne for ignoring the deeper structural causes of poverty somehow expect teachers to solve problems of poverty themselves or to simply suspend further work in classrooms until all children come to school well fed, toting their photos from Disney World, and dreaming of Harvard.

So, perhaps some of the teachers, scholars, parents, staff people, and the idly curious who read Education and Class could head over there to  join the conversation.

*Mild spoiler alert*

In the Nixon Frost movie, there is a pivotal scene in which Nixon, in a lengthy monologue, speaks with equal measures of pride, trepidation, resentment, anxiety, and glee about being educated among the elite and about always wondering– at levels more complex and more deep than any questions that his elite classmates may ever had had about him — whether he’s finally shown them that he’s their equal.

I wish I had the clip to teach from.

Whether grounded in historical evidence  or not, both the content and the circumstances of this five minutes of cinema say a great deal how deeply class is embodied and about how  mobility may be experienced in profoundly complicated ways.

Did anyone else see it?

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